Despite my appliance disasters, I made some tasty food this week: a chicken and apricot masala, which turned out well despite not being entirely certain that the unlabeled spices were what I thought they were, and despite running out of both ginger and garlic and simply not having some of the stuff called for by the recipe. Also, a pot roast that turned out quite well, and a large quantity of pickled if also slightly underspiced beets.
Last Sunday I saw both Sin City and Million Dollar Baby. It was funny to me that, despite their radically different stylistic choices, they could almost have been part of the same movie world.
Sin City was the best film representation of what it's like to read a comic book that I could imagine, and seemed to be an accurate representation of Frank Miller's original comics, though I've really only glanced at them occasionally. It may not be the best movie ever, but it's the best Sin City movie I can imagine. And I still think that Benicio Del Toro is underrated.
Million Dollar Baby is a great example of why Hollywood loves Clint Eastwood. The movie is conventional in the extreme, in its construction and tone. (The lighting is far moodier than Hollywood usually lets directors get away with.) But conventional is not a synonym for insincere; Clint means exactly what his film says, and he feels it himself. Conventional but a genuine expression of one man's vision; what more could Hollywood want?
I started watching Ray with Tonx and Emily on Sunday night, and Tonx and I finished it on Sunday. The music is of course wonderful, and Jaime Foxx's performance is incredible. But the film itself was incredibly frustrating: none of the plot lines were adequately resolved. Was Ray being cheated by his long-time friends, or was his new manager the one taking advantage of him? What sort of relationship did he have with his second family, before Margie died? Did he maintain a relationship with that son? It's half a movie, and two and a half hours long to get that far. It could have used a lot of compression, and a different set of choices as to what Hackford covered.
Last night I saw Sin City again, with
Afterwards, we went to the Old Town Ale House. Yummy sandwiches, and a modest but well-curated selection of beers. I drank a cask Red Ale, from Big Time, and a Dick's Imperial Stout. Laura had a Verhaeghe Echte Kriek and a Petrus, but I don't remember which one. Very satisfying, as an experience.
However, today I'm frustrated by my continued fuzziness. I got enough sleep, I am properly rehydrated, and I'm still not hitting on all cylinders. I love beer, but I really hate the second-day effects of alcohol. This is why I drink far less than I used to: I just don't often feel I have the freedom to function less well.
I've written one capsule book review today for Erowid's upcoming book review section, but I was hoping to write two or three. With enough jiggering, it's at least a nice tight review. Hopefully I can knock out a few more tomorrow, since it's not happening tonight...